The proposed research aims to comprehensively scope the UK online crowdfunding field and develop a ‘taxonomy of UK crowdfunding’. This will map out current activities across domains (e.g. investment, reward-driven, philanthropy), economic scale, geographic location and economic ‘reach’ etc. to create a clear picture of the heterogeneity of the developing online crowdfunding sector in the UK. It will do this through a systematic search and review of existing crowdfunding platforms and related literature from across academic publications, crowdfunding practitioner reports, policy, reports produced by the charitable economic innovation and development sectors (e.g. NESTA) and business reports. A ‘taxonomy of crowdfunding’ will be developed which identifies and defines domains of activity against, for example, funders’ motivations, to develop an understanding of the success factors in bringing projects to fruition. Following this, qualitative analyses will explore communicative exchanges within the social networks that are generated on crowdfunding platforms around particular projects, among and between project ‘founders’ and project ‘funders’. Preliminary empirical research on Kickstarter by Briggs (2013), and analyses elsewhere of the ‘success signals’ of funded projects on this platform (Mollick, 2013) suggest that communication and building of a sense of community by project founders, with and among funders plays an important role in project success. In this context success is measured as a project idea presented on the site attracting enough backers to reach its stated funding goal and go forward to realisation. Building on this, and drawing from media and visual communications theories around mediated forms of representation, and marketing theories on trust signaling and commercial value networks, the research will examine if and in what ways trust is built by project founders within project networks and any potential impact on funders’ behaviour, including buying and investment decisions. The proposed research will also explore the potential affective role of audio visual media, particularly in relation to empathy; and examine if and how founders signal ‘pitch trustworthiness’ in promoting their projects to potential funders using mediated forms e.g. video.

The research will focus on UK-based platforms, and to a lesser extent international sites that enable use by UK-based founders. The proposed research aims to develop greater understanding around the potential of the crowdfunding model: from economic, social and cultural perspectives, while identifying its limitations and specific pitfalls for particular sectors and domains.

Project details

June 2014 – August 2015
ESRC (ES/M00371X/1)
Funded value:
  • Patrick McCole (Co-Investigator)

NORTH Lab investigators

Jo Briggs

I joined the School of Design in early 2012 as researcher on (EPSRC) Digital Originals and took up the role of Anniversary Research Fellow in Interactive Media Design the following year. Before coming to Northumbria I lectured at various universities and art colleges in the UK and Ireland and completed a practice-led AHRC PhD on the 'post conflict' situation in Northern Ireland, as examined through some of the cultural and educational initiatives introduced there after the Good Friday Agreement, including those to promote digital moving image production. This work brought together and expanded a repertoire of acquired experience and training across art and design, creative computing and media broadcast, all of which continues to inform and be further enriched by my ongoing research and practice.

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